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My history as an artist exists among the intersections of movement, text, sound and song. Mining the unconscious narratives and underlying structures that drive the experience of both the performer and those that witness. Choreographically, I am interested in repurposing iconography and forms to create alternative perspectives. Structuring environments that reframe actions and the perceived logic of the players, exploring a range of temporal forms from short works to durational tasks.

 

David Thomson has worked as a collaborative and performing artist in the fields of music, dance, theater and performance with such artists as Mel Wong, Jane Comfort, Bebe Miller (’83-’86; ’03-’06), Remy Charlip, Marta Renzi, The Lavender Light Gospel Choir, Trisha Brown (‘87-‘93), David Roussève, Wendy Perron, Susan Rethorst, Michel Laub/Remote Control (NL), Ralph Lemon (’99-’10), Bo Madvig (DK), Sally Silvers, Tracie Morris, Sekou Sundiata, Reggie Wilson, Dean Moss/Layla Ali, Mike Taylor, Meg Stuart, Marina Abramović, Muna Tseng, Daria Faïn & Robert Kocik, Clarinda Mac Low, Alain Buffard (FR), Deborah Hay, Yanira Castro, Tere O’Connor, Beth Gill, Patricia Hoffbauer, Yvonne Rainer, David Bowie, Fiona Templeton and Kaneza Schaal among many others. He has performed downtown, Off-Broadway and in London with the Drama Desk nominated a capella performance group, Hot Mouth, founded by Grisha Coleman, Jonathan Stone, Viola Sheely and Thomson.

His own work has been presented by The Kitchen, Danspace Project at St Mark’s Church, Dance Theater Workshop, Roulette and Movement Research at Judson Church.   Thomson has been Artist-in-Residence at Dance Theater Workshop, Movement Research, Baryshnikov Arts Center, Gibney Dance Center, LMCC Process Space Program, The Invisible Dog and Mount Tremper Arts Center. His work has been supported by The Robison Foundation, The MAP Fund, Jerome Foundation and the Brooklyn Arts Council among other sources. Thomson was honored with a New York Dance and Performance Award (“Bessie”) for Sustained Achievement (2001) and as part of the creative team for Bebe Miller’s Landing/Place (2006). He is a 2012 USA Ford Fellow, 2013 NYFA Fellow in Choreography, 2014 MacDowell Fellow and 2016 Yaddo Fellow. Thomson has served on the faculties of Movement Research, NYU/Experimental Theater Wing, Sarah Lawrence, The New School, Barnard, and Pratt as well as teaching internationally.

He has worked as an Arts Administrator and/or Database Consultant for several organizations including New York Foundation for the Arts, Merce Cunningham Foundation, Dieu Donné Papermill, National Performance Network, Movement Research and Trisha Brown Company. An ongoing advocate for dance and the empowerment of artists, he was one of the founding members of Dancer’s Forum and has served on the boards of Bebe Miller/Gotham Dance, Dance Theater Workshop and presently New York Live Arts. He holds a BA in Interdisciplinary Studies from SUNY Purchase.

 

photo credit: Sylvain Guenot

 

david hamilton thomson CV